Rhythm 0 was a pivotal work in Abramovic's career, marking a turning point in her exploration of the relationship between the artist and the audience. The performance challenged the traditional boundaries between the artist, the audience, and the artwork, raising questions about the role of the artist and the limits of the human body.
"There are 72 objects on the table that one can use on me as desired. I am the object. During this period I take full responsibility."
Once the boundary of pain was crossed without retaliation, the floodgates opened. rhythm 0
Abramovic has spoken about the experience, saying that she wanted to test her physical and mental endurance, as well as push the limits of what was considered acceptable in the art world.
For the performance, Abramović stood still and impassive, offering herself as a literal object for public use. She placed 72 items on a table and posted a simple sign: Rhythm 0 was a pivotal work in Abramovic's
Advanced Topics in Performance Art and Social Psychology Date: April 14, 2026
Critics (such as art historian Thomas McEvilley) argue that Abramović did not, in fact, have the right to abdicate responsibility. The sign said “I take full responsibility,” but a person under psychological duress cannot give informed consent. Once the crowd turned violent, her ability to withdraw consent (by saying “stop”) was functionally impossible—she was pinned by social pressure and physical intimidation. Furthermore, the presence of a loaded pistol meant a single mistake could have ended her life. Many argue that the artistic statement was not worth the risk of actual death. I am the object
The objects were carefully selected to represent both pleasure and pain , including: