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| Source | Recommended Width | Notes | |--------|------------------|-------| | Kick, bass | 0% (mono) | Keep centered for low-end punch | | Snare | 0–30% | Can be narrow | | Vocals (lead) | 0% mono | Center | | Vocals (doubles/backing) | 40–80% | Adds space | | Pads/strings | 60–120% | Can be very wide | | Synth leads | 30–70% | Depends on style | | Mix bus | 10–30% max | Too much width ruins mono |
Ozone Imager anticipates this danger by providing a robust section at the bottom of the interface. While the Width knob opens up the sound, the Limiter acts as a safety net. The "Stereo Link" button is particularly important here. When engaged, it links the left and right channels of the limiter, preventing the image from shifting unnaturally when limiting occurs. Furthermore, the vectorscope provides the visual cues necessary to avoid disaster. If the "legs" of the stereo image are stretching too far horizontally, turning white or red at the edges, the producer is likely pushing the width too far, risking severe mono collapse. how to use ozone imager
– but only after checking mono. Start with +20% width on stereo pads/keys, 0% on bass/kick, and use Stereoize sparingly on backing vocals or double-tracked guitars. The correlation meter is your safety net. | Source | Recommended Width | Notes |
Second, . Ozone Imager does not have a built-in mono summing button, so producers should place a utility plugin with a mono switch after the Imager in the chain. Toggling between stereo and mono while adjusting the Width knob allows the producer to hear exactly what is being lost in translation. If the core elements of the track vanish or sound thin in mono, the width should be reduced. When engaged, it links the left and right
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| Source | Recommended Width | Notes | |--------|------------------|-------| | Kick, bass | 0% (mono) | Keep centered for low-end punch | | Snare | 0–30% | Can be narrow | | Vocals (lead) | 0% mono | Center | | Vocals (doubles/backing) | 40–80% | Adds space | | Pads/strings | 60–120% | Can be very wide | | Synth leads | 30–70% | Depends on style | | Mix bus | 10–30% max | Too much width ruins mono |
Ozone Imager anticipates this danger by providing a robust section at the bottom of the interface. While the Width knob opens up the sound, the Limiter acts as a safety net. The "Stereo Link" button is particularly important here. When engaged, it links the left and right channels of the limiter, preventing the image from shifting unnaturally when limiting occurs. Furthermore, the vectorscope provides the visual cues necessary to avoid disaster. If the "legs" of the stereo image are stretching too far horizontally, turning white or red at the edges, the producer is likely pushing the width too far, risking severe mono collapse.
– but only after checking mono. Start with +20% width on stereo pads/keys, 0% on bass/kick, and use Stereoize sparingly on backing vocals or double-tracked guitars. The correlation meter is your safety net.
Second, . Ozone Imager does not have a built-in mono summing button, so producers should place a utility plugin with a mono switch after the Imager in the chain. Toggling between stereo and mono while adjusting the Width knob allows the producer to hear exactly what is being lost in translation. If the core elements of the track vanish or sound thin in mono, the width should be reduced.