Richard Serra Philip Glass Meeting City <Authentic – 2025>

Serra finally turned away from the construction site, his eyes narrowing. "How so?"

The two spent evenings at the famous café La Coupole , observing artists like Alberto Giacometti and reading John Cage’s Silence to one another. Forging Minimalism in New York City richard serra philip glass meeting city

Serra’s famous dictum is: “To remove the work is to destroy the work.” A meeting city is site-specific—it cannot be moved; you must travel to it. Serra finally turned away from the construction site,

While Serra and Glass never created a single, officially titled installation called Meeting City , the phrase perfectly encapsulates their ideal collaborative environment. Imagine a vast urban plaza—not of people, but of perception. Here’s what that “meeting” would entail. While Serra and Glass never created a single,

"You know," Glass said, the rhythm of the conversation shifting, "I’m starting to think music should be like that."

Today, the legacy of Serra and Glass's collaboration can be seen in the proliferation of site-specific installations that blur the boundaries between art, music, and architecture. Their pioneering work has influenced a generation of artists, from James Turrell to Anthony McCall, who continue to experiment with the relationships between light, sound, and space.

It was 1965. The city was broke, loud, and violent, but for two young artists who had just come back from Paris, it was the only place that made sense.