Every editor and compositor knows the standard cross-dissolve. It is the bread and butter of temporal transitions. Clip A fades opacity down while Clip B fades opacity up. It is functional, safe, and universally understood.
: It operates on ungraded, log camera footage, allowing the diffusion to behave as if it were "burned-in" on set. Customizable Controls : Beyond presets, users can fine-tune: scatter ofx
OFX investment files include <BUYSTOCK> , <SELLSTOCK> , <INVPOS> — scatter unit price vs. units bought → helps see dollar-cost averaging. It is functional, safe, and universally understood
This is the most critical parameter. If the scatter is static, the image looks like a frozen jpeg artifact. But if the "Time" variable is animated (or linked to a random seed), the scattered pixels dance. units bought → helps see dollar-cost averaging
: Use it to create the foundation for dust motes, snow, or floating embers by scattering high-contrast noise seeds before applying glow and motion blur.
While glass filters are a staple on sets, Scatter offers several practical advantages for modern productions: