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Every serious revenue team eventually hits the same wall in Salesforce: exporting campaign members becomes a tedious ritual. You click into Campaigns, skim the Members subtab, open the Reports builder, search for “Campaigns with Campaign Members,” add the right fields, save, run, export, download, then finally move the CSV into Sheets or your warehouse. It’s powerful, but when you’re running dozens of campaigns a month, this “simple” process mutates into hours of admin that quietly erodes your team’s focus.
Now imagine the same workflow handled by an AI computer agent. You define the rules once—campaign naming patterns, fields to export, destinations like Google Sheets or your data warehouse—and a Simular agent logs into Salesforce for you, builds or refreshes the right report, exports it, stores the file with consistent naming, and even updates downstream dashboards. Instead of your ops or marketing manager babysitting exports, they simply wake up to fresh, trustworthy member data every morning and can spend their time optimising messaging, segments, and offers instead of wrestling with CSVs.
The final episode is shot entirely on iPhones and home video cameras. The family is told the professional crew will not be coming. For the first time in 20 seasons, they decide what to film. The episode ends with Kris turning off her own camera, looking directly into the lens, and saying: “Thank you for watching us grow up. Now let us live.” The screen goes black. No credits. Just silence.
Khloé takes True to visit Tristan in Boston, but the trip takes an unexpected turn when Tristan asks for another chance. Khloé calls her therapist live on camera—a first for the show—and decides to co-parent without reconciliation. “I deserve peace,” she says. “Not a project.”
Kim balances her final year of law school with planning her SKIMS IPO. She travels to Sacramento to advocate for prison reform, bringing North along to “see how the real world works.” Meanwhile, a pro bono case involving a nonviolent offender hits close to home, forcing Kim to confront her own privilege in a raw, unscripted moment.
In a one-on-one interview with no producers in the room, Kris Jenner watches a supercut of her most manipulative moments—crying on command, pitting daughters against each other, and exploiting private pain for ratings. She admits, “I created a monster, and her name was the show.” She asks for forgiveness from her children. The silence that follows is deafening.
Variety : “Season 20 is less a reality show and more a documentary about the trauma of being documented. It’s the most honest they’ve ever been.”
The Atlantic : “In its final season, KUWTK finally becomes the art project it always claimed it wanted to be.”
The final episode is shot entirely on iPhones and home video cameras. The family is told the professional crew will not be coming. For the first time in 20 seasons, they decide what to film. The episode ends with Kris turning off her own camera, looking directly into the lens, and saying: “Thank you for watching us grow up. Now let us live.” The screen goes black. No credits. Just silence.
Khloé takes True to visit Tristan in Boston, but the trip takes an unexpected turn when Tristan asks for another chance. Khloé calls her therapist live on camera—a first for the show—and decides to co-parent without reconciliation. “I deserve peace,” she says. “Not a project.” keeping up with the kardashians s20
Kim balances her final year of law school with planning her SKIMS IPO. She travels to Sacramento to advocate for prison reform, bringing North along to “see how the real world works.” Meanwhile, a pro bono case involving a nonviolent offender hits close to home, forcing Kim to confront her own privilege in a raw, unscripted moment. The final episode is shot entirely on iPhones
In a one-on-one interview with no producers in the room, Kris Jenner watches a supercut of her most manipulative moments—crying on command, pitting daughters against each other, and exploiting private pain for ratings. She admits, “I created a monster, and her name was the show.” She asks for forgiveness from her children. The silence that follows is deafening. The episode ends with Kris turning off her
Variety : “Season 20 is less a reality show and more a documentary about the trauma of being documented. It’s the most honest they’ve ever been.”
The Atlantic : “In its final season, KUWTK finally becomes the art project it always claimed it wanted to be.”
