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FREE TO PLAY is available now:
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Free to Play will be available for free on Steam March 19th, 2014!
The Free to Play Pack will also be available for purchase on Steam and the Dota 2 Store, and 25% of the sales will be distributed to the players featured in the film as well as the contributors. The Free to Play Pack will include the following:
Items will be available on March 19th, 2014 at the Dota 2 Store and Steam
FREE TO PLAY is a feature-length documentary that follows three professional gamers from around the world as they compete for a million dollar prize in the first Dota 2 International Tournament. In recent years, E Sports has surged in popularity to become one of the most widely-practiced forms of competitive sport today. A million dollar tournament changed the landscape of the gaming world and for those elite players at the top of their craft, nothing would ever be the same again. Produced by Valve, the film documents the challenges and sacrifices required of players to compete at the highest level.
Born in L’viv, Ukraine, Dendi began playing video games at a young age after his older brother received a PC from their grandmother. As he had with his other early interests in life, music and dancing, Dendi picked up games very quickly and was soon excelling far beyond his age bracket. The prodigious dexterity earned through long hours of piano study was soon put to use in local gaming tournaments where he earned a reputation as a dominant and creative competitor. Though he was successful at other games, he knew he found his calling when he stumbled upon Dota.
If you’ve followed the development of Singaporean Dota, then Benedict “HyHy” Lim is a name that is familiar to you. Born in Singapore on 1990, HyHy’s rise to prominence began when he and teammates represented Singapore in the 2007 Asian Cyber Games. The following year, he was victorious in the Electronic Sports World Cup. Since then his body of work has become a pillar in the Dota 2 community. Never one to shy away from controversy, HyHy speaks his mind, and has made a name for himself as one of professional gaming’s most driven and versatile players.
Arguably among the most formidable Dota 2 players to ever come out of the Western Hemisphere, Clinton “Fear” Loomis, has never had an easy path in front of him. Ever the underdog, he’s used a balance of raw skill and hard-earned experience to overcome the isolation that US players often face when they compete at the highest level. Born 1988, his work ethic and dedication have taken him from Medford, Oregon to Europe, to China, and finally to the Dota 2 International, the tournament with the largest prize pool in the history of video games.
The glacier groaned in the distance. It would calve again tomorrow. And again the day after. And Leo would get them out—he always did. But he wondered, as he zipped his jacket to the chin, whether the hardest part of fixing wasn’t the cold or the risk or the clients from hell.
Cal pulled off his headphones. His face was pale. “The sound,” he said. “It’s still coming. Listen.” film fixers in alaska
Share Alaska Filming Initiative website on socials - Facebook The glacier groaned in the distance
Ultimately, the magic of Alaskan cinema is an illusion crafted on a foundation of extreme hard work. When audiences see a lone survivor trekking across a frozen wasteland, they rarely consider the convoy of snow machines, the medics stationed just out of frame, and the logistical coordinator who figured out how to keep the batteries from freezing in minus-forty-degree weather. The film fixer is the unsung hero of the North. They transform the chaotic, dangerous, and breathtaking wilderness of Alaska into a manageable studio set, allowing directors to focus on the art of storytelling while the fixer handles the reality of the Last Frontier. And Leo would get them out—he always did
Alaska has long captivated the imagination of filmmakers. From the golden rush narratives of the silent era to modern thrillers like The Grey or the sweeping cinematography of Into the Wild , the state offers a visual grandeur that is unrivaled. It is a land of towering glaciers, volatile volcanoes, and vast tundras that seem to stretch into infinity. However, for a film production company, Alaska represents not just a cinematic paradise, but a logistical labyrinth. This is where the role of the "film fixer" becomes not merely helpful, but essential. In the Last Frontier, a film fixer is less of a location scout and more of a survival guide, bridging the gap between Hollywood ambition and the harsh realities of the North.
Leo Moss, fixer for hire, looked at the greasy sky over Anchorage. A storm was knitting itself together over the Chugach Mountains. Tuesday was four days away. He’d done harder jobs. He’d gotten a crew of German volcanologists to the rim of an active crater on Umnak. He’d found a lost WWII bomber in a bog using only a metal detector and a bar tab’s worth of gossip. But this one felt wrong from the start. The client wasn’t a studio. It was a private collector. A man who paid in euros delivered by a courier. No names. Just the glacier.